Theses from 2024
Creating Immersive Worlds: Applying Scenic Design Techniques in 'Eurydice' by Sarah Ruhl, Brynlee Beams
Freesia, Abby Burlison
Theses from 2023
I Don't Have a Clue: A First-Time Director's Guide by a First-Time Director, Isabella Owen
Theses from 2021
The Elements of Onstage Lighting and How it Could Impact the Emotion of an Audience, Kailee Morehart
Theses from 2020
Dance: The Universal Language of Storytellers, Meagan A. Woodard
Theses from 2019
Shame: Its Place in Life and American Drama, Lauren Elisabeth Terry
Theses from 2018
Accessibility in the Theatre, Allison Austin
Collaborative Storytelling With Different Artistic Mediums, Andrew Martin
Acting in a Global Context: Characterization from the Physical Context of Shakespeare's Spaces, Anna Joie Valdez
Theses from 2016
Physical Comedy: From Stage to Screen, Kathleen Suit
Theses from 2014
Shakespeare: The Mirror of the Human Soul, Sarah Lynnette Davis
Evolution of Fashion: Clothing of Upper Class American Women from 1865 to 1920, Lacey Johnson
Theses from 2013
Going Mad: A Comprehensive Study of the Mad Scene in Gaetano Donizetti's Opera, Lucia di Lammermoor, Rachel Nicole Harris
Theses from 2010
The Nuance of Character Acting, Heather Baker
Theses from 2007
Mime: The Musical, Aaron House and Matt Landers
Theses from 2001
Anxiety Café: A One Act Play, Kerri McKinney
Theses from 2000
American Streets, Scott Wozniak
Theses from 1975
Folklore: A Study and Tales from the Ozarks, Sharon Hibbard
Theses from 1974
Playwrights and Their Works of Modern Drama, Sharon Hibbard
Eugene O'Neill, Robert W. Moore
Theses from 1973
Publicity for [OBU's Production of] Dark of the Moon, Susan Coppenger
Creative Drama, Glenna Kay DeSpain
The Significance of Characterization in the Preparation and Composition of "The Marriage of Figaro", Philip Wayne Hardin
Dark of the Moon: Costume Design, Patricia Lynne Huckabee
Theses from 1972
The Theatrical Make-up of Rumpelstiltskin, Anne Coppenger
Theses from 1971
Reviews and Criticisms, Bernie Hargis
Europe: An Honors Special Studies, Donna Pike
The Globe, Charlotte Pillow
Some Personalities and Conventions of the Elizabethan Theatre, LeElla Ratcliff
Early English Theatres, Leta Strother
Make-up for the Stage, Michael Tinsley
Theses from 1970
View from the Cheap Seats: A Look at Today's Musical Theatre, Wayne Green
A Program for Children: Creative Dramatics, Patsy Hill
Ibsen: Motivation, Method, and Influence, Vicki Hubbs
The Direction of A Christmas Carol, LeElla Ratcliff
Antigone: 441 B.C. to 1958 A.D., Sherry Gail Reynolds
Readers Theater, Sherry Gail Reynolds
The Rhetoric of Reader's Theatre, Tom Roberts
Theses from 1969
A Study of College Theater Publicity, Cynthia Marie Crews
Antigone Yesterday, Antigone Today, Patsy Hill
Modern Drama: The Theatre of the Absurd, LeElla Theresa Ratcliff
The Direction of Christ in the Concrete City: A Special Studies Project, Frank T. Roberts
Theses from 1968
Theatrical Make-up, Patsy Hill