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Theses from 2011

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Mooncakes and Marshmallows, Jessica Schleiff

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From the Middle Ages to Modernity: The Intersecting Supernatural Worlds of Melusine and Today's Popular Culture, Sarah Stark

Theses from 2009

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Then & Now: The Relevance of Tennessee Williams for the 21st- Century Actress, Marcie Danae Bealer

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Faith and Literature: A Look at Book Censorship, Laura Cox

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More than Just Books: Using Fiction to Help Young Girls Relate, Katie Michelle Simmons Laney

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House of Leaves: Navigating the Labyrinth of the Deconstructed Novel, Molly Throgmorton

Theses from 2006

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The Story of a Picture Book: A Process Analysis, Christy Evans

Theses from 2004

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Allusions and Historical Models in Gaston Leroux's The Phantom of the Opera, Joy A. Mills

Theses from 2001

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Folly in the Garden: The Religious Satire of Erasmus and Voltaire, John M. Beller

Theses from 2000

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The Death of King Arthur: The Literary Evolution of a Myth, Heather M. Lyon

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Salvation in Film: The Apostle, Tender Mercies, Amistad, and Sergeant York, Daniel Nipper

Theses from 1999

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Nowhere Land, Andy Davidson

Theses from 1996

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Ӕmilia Lanyer's Place in the Literary Canon, Mary Beth Barton

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An Examination of the Salvation Teachings of Eastern Orthodoxy and Southern Baptist Protestantism, Pamela K. Blackmon

Theses from 1994

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Japanese and American Education: A Comparative Study, Naomi R. Mercer

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Significant Affinities between James Joyce's Ulysses and Saul Bellow's The Adventures of Augie March, Jeff Smithpeters

Theses from 1993

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The Chopinian Heroine: A Role Model for the Self-Assertion of Women, Heidi Fite

Theses from 1987

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Eudora Welty: A Writer for the Heart and Mind, Gerrie Krudwig

Theses from 1985

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The Inveiglement of "The Stolen Child", Bertram Barnes

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Southwest Arkansas Local Colorists, Marian Frias

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Historical Archaeology Possibilities for Arkansas, Julia Gray

Theses from 1984

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Cockney Dialect and Slang, Jamie Fowler

Theses from 1983

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The Depiction of Good and Evil in Eight Modern Plays, Jason K. Anders

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A Close Look at Two Poems by Richard Wilbur, Jay Curlin

Theses from 1981

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Dramatic Criticism: Theory and Practice, Kenneth M. Locke